The program is structured in three parts.
The first part is dedicated to learning a few pieces (which will also be taught in the accordion class) together, allowing students from both classes to work and play together during the week. These pieces are selected from well-known standards that are rarely played, not because of technical difficulty, but because their harmonic framework—though relatively simple—often presents challenges in terms of how to approach and conceive improvisation over these progressions.
The second part of the program focuses on the rhythmic aspect of improvisation, specifically on phrasing and flow. Using a walking ballad or a manouche bossa, we will work on arranging eighth notes, triplets, and sixteenth notes to enrich musical expression.
The third part is devoted to learning a waltz chosen collectively, creating a program that emphasizes the musical interplay and connection between guitar and accordion, which is inherent to this style.
In summary, this workshop aims to help students develop their approach to improvisation by exploring different but simple and effective paths. It also deepens their sense of rhythm to enrich their musical phrasing and fosters a broader understanding of the style by working on various rhythms and enhancing the interplay between accordion and guitar.
Prerequisites: ability to read chord charts, accompany, and know 10 pieces by heart in the style, knowledge of arpeggios and scales.
The class is open to a minimum of 5 participants.
Christophe Astolfi
He approaches the different musical styles that shaped him with great independence and openness. His playing is fluid and lyrical, and his subtle harmonies are full of personality, whether in jazz, gypsy swing, musette, or French chanson.
He has recorded three solo albums dedicated to swing waltzes, including a tribute to guitarist Baro Ferré, which he has presented in Europe, the USA, and Asia.
Among his collaborations, notable mentions include Boulou Ferré (with whom he recorded two albums) and Christian Escoudé. He also contributed to the soundtrack of the film Le Petit Nicolas, composed by Ludovic Bource.
In pedagogy, he has been teaching since 1996 and authored the third volume of Astuces de la guitare manouche (Editions Coup de Pouce), focused on musette waltzes, which gave him the opportunity to give masterclasses worldwide. He also directed the guitar school at La Chope des Puces for six years.
Additionally, he has published a large amount of educational content online using modern technological tools.
